In celebration of Black History Month, SUP is pleased to offer this list of recommended reading. These titles span across sociology, personal accounts, history, anthropology, law, human rights, and education.
Black Privilege: Modern Middle-Class Blacks with Credentials and Cash to Spend »
"A rich and nuanced portrait of the black middle class. Pittman Claytor's insightful analysis should be read widely by college students and wider audiences, for it skillfully and beautifully mobilizes the sociological imagination to make the familiar and taken-for-granted visible."
—Michèle Lamont, co-author of Getting Respect
New York City has the largest population of black Americans out of any metropolitan area in the United States. It is home to a steadily rising number of socio-economically privileged blacks. In Black Privilege Cassi Pittman Claytor examines how this economically advantaged group experiences privilege, having credentials that grant them access to elite spaces and resources with which they can purchase luxuries, while still confronting persistent anti-black bias and racial stigma.
Drawing on the everyday experiences of black middle-class individuals, Pittman Claytor offers vivid accounts of their consumer experiences and cultural flexibility in the places where they live, work, and play. Whether it is the majority white Wall Street firm where they're employed, or the majority black Baptist church where they worship, questions of class and racial identity are equally on their minds. They navigate divergent social worlds that demand, at times, middle-class sensibilities, pedigree, and cultural acumen; and at other times pride in and connection with other blacks.
The Color of Creatorship: Intellectual Property, Race, and the Making of Americans »
"Anjali Vats delivers a damning polemic on the racist scripts and tropes that have animated American intellectual property law and rhetoric, shaping understandings of citizenship and structures of national feeling in three distinct eras of racial political economy. The Color of Creatorship is destined to be a touchstone and lightning rod in critical race legal theory for years to come."
—Rosemary J. Coombe, author of The Cultural Life of Intellectual Properties: Authorship, Appropriation and the Law
Working through key moments in intellectual property history since 1790, Anjali Vats reveals that even as they have seemingly evolved, American understandings of who is a creator and who is an infringer have remained remarkably racially conservative and consistent over time. Vats examines archival, legal, political, and popular culture texts to demonstrate how intellectual properties developed alongside definitions of the "good citizen," "bad citizen," and intellectual labor in racialized ways. Offering readers a theory of critical race intellectual property, Vats historicizes the figure of the citizen-creator, the white male maker who was incorporated into the national ideology as a key contributor to the nation's moral and economic development. She also traces the emergence of racial panics around infringement, arguing that the post-racial creator exists in opposition to the figure of the hyper-racial infringer, a national enemy who is the opposite of the hardworking, innovative American creator.
The Color of Creatorship contributes to a rapidly-developing conversation in critical race intellectual property. Vats argues that once anti-racist activists grapple with the underlying racial structures of intellectual property law, they can better advocate for strategies that resist the underlying drivers of racially disparate copyright, patent, and trademark policy.
Black Quotidian: Everyday History in African-American Newspapers »
Winner of the 2019 Garfinkel Prize in Digital Humanities, sponsored by the American Studies Association (ASA) - Digital Humanities Caucus.
"Beautifully designed and easy to access, Black Quotidian demonstrates how African-American newspapers organized and strengthened local communities and forged a national African-American identity by creating an 'everyday history' from the accomplishments and struggles of their readers."
—Ethan Michaeli, author of The Defender: How the Legendary Black Newspaper Changed America
Black Quotidian explores everyday lives of African Americans in the twentieth century. Drawing on an archive of digitized African-American newspapers, Matthew F. Delmont guides readers through a wealth of primary resources that reveal how the Black press popularized African-American history and valued the lives of both famous and ordinary Black people. Framed by introductory chapters on the history of Black newspapers, a trove of short posts on individual newspaper stories brings the rich archive of African-American newspapers to life, giving readers access to a variety of media objects, including videos, photographs, and music. By presenting this layer as a blog with 365 daily entries, the author offers a critique of Black History Month as a limiting initiative and emphasizes the need to explore beyond the iconic figures and moments that have come to stand in for the complexity of African-American history. Themes highlighted include, among others, civil rights, arts, sports, politics, and women's lives.
As a work of digital history, Black Quotidian models an innovative approach to research exploration and scholarly communication. As a teaching resource, it fosters self-driven exploration of primary resources within and beyond the curriculum.
Skimmed: Breastfeeding, Race, and Injustice »
"Skimmed weaves together the story of the Fultz family with history and legal scholarship to explain how medical coercion and white supremacy have shaped Black communities' access to first food. Offering solutions from food justice organizers, Andrea Freeman shows us a path to supporting families who want to breastfeed."
—Dani McClain, author of We Live for the We: The Political Power of Black Motherhood
Born into a tenant farming family in North Carolina in 1946, Mary Louise, Mary Ann, Mary Alice, and Mary Catherine were medical miracles. Annie Mae Fultz, a Black-Cherokee woman who lost her ability to hear and speak in childhood, became the mother of America's first surviving set of identical quadruplets. They were instant celebrities. Their White doctor named them after his own family members. He sold the rights to use the sisters for marketing purposes to the highest-bidding formula company. The girls lived in poverty, while Pet Milk's profits from a previously untapped market of Black families skyrocketed.
Over half a century later, baby formula is a seventy-billion-dollar industry and Black mothers have the lowest breastfeeding rates in the country. Since slavery, legal, political, and societal factors have routinely denied Black women the ability to choose how to feed their babies. In Skimmed, Andrea Freeman tells the riveting story of the Fultz quadruplets while uncovering how feeding America's youngest citizens is awash in social, legal, and cultural inequalities. This book highlights the making of a modern public health crisis, the four extraordinary girls whose stories encapsulate a nationwide injustice, and how we can fight for a healthier future.
South Central Is Home: Race and the Power of Community Investment in Los Angeles »
"South Central Is Home offers an illuminating history of one of America's most iconic communities in transition—from the War on Poverty to the War on Drugs. In prose as vivid as her subjects, Abigail Rosas beautifully captures the struggles, tensions, and aspirations of people typically portrayed as perpetrators or victims of unremitting violence—reminding readers that South Central Los Angeles is, indeed, home."
—Robin D. G. Kelley, author of Thelonious Monk: The Life and Times of an American Original
South Central Los Angeles is often characterized as an African American community beset by poverty and economic neglect. But this depiction obscures the significant Latina/o population that has called South Central home since the 1970s. More significantly, it conceals the efforts African American and Latina/o residents have made together in shaping their community. As residents have faced increasing challenges from diminished government social services, economic disinvestment, immigration enforcement, and police surveillance, they have come together in their struggle for belonging and justice.
South Central Is Home investigates the development of relational community formation and highlights how communities of color like South Central experience racism and discrimination—and how in the best of situations, they are energized to improve their conditions together. Tracking the demographic shifts in South Central from 1945 to the present, Abigail Rosas shows how financial institutions, War on Poverty programs like Headstart for school children, and community health centers emerged as crucial sites where neighbors engaged one another over what was best for their community. Through this work, Rosas illuminates the promise of community building, offering findings indispensable to our understandings of race, community, and place in U.S. society.
Reclaiming Community: Race and the Uncertain Future of Youth Work »
Winner of the 2019 Critic's Choice Book Award, sponsored by the American Educational Studies Association (AESA).
"The movement across America to adopt a Wall Street-like focus on 'return on investments' (ROI) to measure the impact of after-school programs is a big mistake. Bianca Baldridge offers a brilliant and timely alternative to metric-driven services; her research provides a refreshing and illuminating vision of how those who support youth of color can create more holistic alternatives to youth programming."
—Shawn Ginwright, Professor of Education and African American Studies, San Francisco State University
Approximately 2.4 million Black youth participate in after-school programs, which offer a range of support, including academic tutoring, college preparation, political identity development, cultural and emotional support, and even a space to develop strategies and tools for organizing and activism. In Reclaiming Community, Bianca Baldridge tells the story of one such community-based program, Educational Excellence (EE), shining a light on both the invaluable role youth workers play in these spaces, and the precarious context in which such programs now exist.
Drawing on rich ethnographic data, Baldridge persuasively argues that the story of EE is representative of a much larger and understudied phenomenon. With the spread of neoliberal ideology and its reliance on racism—marked by individualism, market competition, and privatization—these bastions of community support are losing the autonomy that has allowed them to embolden the minds of the youth they serve. Baldridge captures the stories of loss and resistance within this context of immense external political pressure, arguing powerfully for the damage caused when the same structural violence that Black youth experience in school, starts to occur in the places they go to escape it.
From Boas to Black Power: Racism, Liberalism, and American Anthropology »
"From Boas to Black Power thoughtfully examines the contradictions and tensions of anthropology's last 100 years. Using Boasian interventions on race and culture as a valuable starting point, this important book explains how thinking about race/racism in anthropology (and in the wider public culture) pivots on various assumptions about liberalism that link race to American identity in ways that haunt the country as much as ever these days."
—John L. Jackson, Jr., University of Pennsylvania
From Boas to Black Power investigates how U.S. cultural anthropologists wrote about race, racism, and "America" in the 20th century as a window into the greater project of U.S. anti-racist liberalism. Anthropology as a discipline and the American project share a common origin: their very foundations are built upon white supremacy, and both are still reckoning with their racist legacies. In this groundbreaking intellectual history of anti-racism within twentieth-century cultural anthropology, Mark Anderson starts with the legacy of Franz Boas and Ruth Benedict and continues through the post-war and Black Power movement to the birth of the Black Studies discipline, exploring the problem "America" represents for liberal anti-racism.
Anderson shows how cultural anthropology contributed to liberal American discourses on race that simultaneously bolstered and denied white domination. From Boas to Black Power provides a major rethinking of anthropological anti-racism as a project that, in step with the American racial liberalism it helped create, paradoxically maintained white American hegemony. Anthropologists influenced by radical political movements of the 1960s offered the first sustained challenge to that project, calling attention to the racial contradictions of American liberalism reflected in anthropology. Their critiques remain relevant for the discipline and the nation.
Black Power and Palestine: Transnational Countries of Color »
"Michael Fischbach's Black Power and Palestine is the best book yet written on the contemporary history of Afro-Palestinian solidarity. The book is invaluable as a scholarly record of Black efforts to organize with and in support of Palestinian liberation, but also as a political argument about the centrality of Palestinian solidarity work to building internationalist, anti-imperialist solidarity in our time."
—Bill V. Mullen, Mondoweiss
The 1967 Arab–Israeli War rocketed the question of Israel and Palestine onto the front pages of American newspapers. Black Power activists saw Palestinians as a kindred people of color, waging the same struggle for freedom and justice as themselves. Soon concerns over the Arab–Israeli conflict spread across mainstream black politics and into the heart of the civil rights movement itself. Black Power and Palestine uncovers why so many African Americans—notably Martin Luther King, Jr., Malcolm X, and Muhammad Ali, among others—came to support the Palestinians or felt the need to respond to those who did.
Americans first heard pro-Palestinian sentiments in public through the black freedom struggle of the 1960s and 1970s. Michael R. Fischbach uncovers this hidden history of the Arab–Israeli conflict's role in African American activism and the ways that distant struggle shaped the domestic fight for racial equality. Black Power's transnational connections between African Americans and Palestinians deeply affected U.S. black politics, animating black visions of identity well into the late 1970s. Black Power and Palestine allows those black voices to be heard again today.
Uncle Tom: From Martyr to Traitor »
Honorable mention in the 2019 MLA Prize for a First Book, sponsored by the Modern Language Association (MLA).
"Stowe's blockbuster novel continues to provoke debate and touch raw nerves. For Adena Spingarn, it serves as an introduction to the long history of haggling over the meanings of race in America. There are numerous studies of Uncle Tom's Cabin. This is the richest, most provocative, and most stylishly written of the lot."
—Benjamin Reiss, Emory University
Uncle Tom charts the dramatic cultural transformation of perhaps the most controversial literary character in American history. From his origins as the heroic, Christ-like protagonist of Harriet Beecher Stowe's anti-slavery novel, the best-selling book of the nineteenth century after the Bible, Uncle Tom has become a widely recognized epithet for a black person deemed so subservient to whites that he betrays his race. Readers have long noted that Stowe's character is not the traitorous sycophant that his name connotes today. Adena Spingarn traces his evolution in the American imagination, offering the first comprehensive account of a figure central to American conversations about race and racial representation from 1852 to the present. We learn of the radical political potential of the novel's many theatrical spinoffs even in the Jim Crow era, Uncle Tom's breezy disavowal by prominent voices of the Harlem Renaissance, and a developing critique of "Uncle Tom roles" in Hollywood. Within the stubborn American binary of black and white, citizens have used this rhetorical figure to debate the boundaries of racial difference and the legacy of slavery. Through Uncle Tom, black Americans have disputed various strategies for racial progress and defined the most desirable and harmful images of black personhood in literature and popular culture.
Black Autonomy: Race, Gender, and Afro-Nicaraguan Activism »
"Jennifer Goett's fine book shows, with vivid ethnography, how Afro-Nicaraguan political mobilization is inspired by the vernacular cultural practices of women and men. Her book provides penetrating insight into the way multiculturalist reforms that give rights to racialized minorities coexist with rapacious and punitive forms of 'development,' by state and private sector interests, operating in transnational and gendered circuits of geopolitics and capital."
—Peter Wade, University of Manchester
Decades after the first multicultural reforms were introduced in Latin America, Afrodescendant people from the region are still disproportionately impoverished, underserved, policed, and incarcerated. In Nicaragua, Afrodescendants have mobilized to confront this state of siege through the politics of black autonomy. For women and men grappling with postwar violence, black autonomy has its own cultural meanings as a political aspiration and a way of crafting selfhood and solidarity.
Jennifer Goett's ethnography examines the race and gender politics of activism for autonomous rights in an Afrodescendant. Creole community in Nicaragua. Weaving together fifteen years of research, Black Autonomy follows this community-based movement from its inception in the late 1990s to its realization as an autonomous territory in 2009 and beyond. Goett argues that despite significant gains in multicultural recognition, Afro-Nicaraguan Creoles continue to grapple with the day-to-day violence of capitalist intensification, racialized policing, and drug war militarization in their territories. Activists have responded by adopting a politics of autonomy based on race pride, territoriality, self-determination, and self-defense. Black Autonomy shows how this political radicalism is rooted in African diasporic identification and gendered cultural practices that women and men use to assert control over their bodies, labor, and spaces in an atmosphere of violence.
The Ethnic Project: Transforming Racial Fiction into Ethnic Factions »
Named in the 2019 ZORA Canon of 100 greatest books ever written by African American women.
"I think that The Ethnic Project is an outstanding work that makes an important contribution to our understanding of the past and present racial history of the United States. The book is very well written (Bashi Treitler's prose is a delight to read) and meticulously researched . . . The Ethnic Project should definitely be part of the conversation as we press forward with the task of understanding race in the United States."
—Ashley "Woody" Doane, American Journal of Sociology
Race is a known fiction—there is no genetic marker that indicates someone's race—yet the social stigma of race endures. In the United States, ethnicity is often positioned as a counterweight to race, and we celebrate our various hyphenated-American identities. But Vilna Bashi Treitler argues that we do so at a high cost: ethnic thinking simply perpetuates an underlying racism.
In The Ethnic Project, Bashi Treitler considers the ethnic history of the United States from the arrival of the English in North America through to the present day. Tracing the histories of immigrant and indigenous groups—Irish, Chinese, Italians, Jews, Native Americans, Mexicans, Afro-Caribbeans, and African Americans—she shows how each negotiates America's racial hierarchy, aiming to distance themselves from the bottom and align with the groups already at the top. But in pursuing these "ethnic projects" these groups implicitly accept and perpetuate a racial hierarchy, shoring up rather than dismantling race and racism. Ultimately, The Ethnic Project shows how dangerous ethnic thinking can be in a society that has not let go of racial thinking.
Paint the White House Black: Barack Obama and the Meaning of Race in America »
"Reading the Obama presidency as a racial Rorschach test, Michael Jeffries offers a highly original, keenly attuned analysis of the social construction of race and the stark realities of racism in the United States. Paint the White House Black is a valuable addition to the critical literature on our so-called 'post-racial' America."
—Alondra Nelson, Columbia University, author of Body and Soul: The Black Panther Party and the Fight against Medical Discrimination
Barack Obama's election as the first black president in American history forced a reconsideration of racial reality and possibility. It also incited an outpouring of discussion and analysis of Obama's personal and political exploits. Paint the White House Black fills a significant void in Obama-themed debate, shifting the emphasis from the details of Obama's political career to an understanding of how race works in America. In this groundbreaking book, race, rather than Obama, is the central focus.
Michael P. Jeffries approaches Obama's election and administration as common cultural ground for thinking about race. He uncovers contemporary stereotypes and anxieties by examining historically rooted conceptions of race and nationhood, discourses of "biracialism" and Obama's mixed heritage, the purported emergence of a "post-racial society," and popular symbols of Michelle Obama as a modern black woman. In so doing, Jeffries casts new light on how we think about race and enables us to see how race, in turn, operates within our daily lives.
Race is a difficult concept to grasp, with outbursts and silences that disguise its relationships with a host of other phenomena. Using Barack Obama as its point of departure, Paint the White House Black boldly aims to understand race by tracing the web of interactions that bind it to other social and historical forces.
African Americans Against the Bomb: Nuclear Weapons, Colonialism, and the Black Freedom Movement »
"The African American contribution to nuclear discourse should be deemed an essential part of the conversation on the fraught history of American nuclear development. Intondi's well-written, well-researched book makes certain these efforts will be known."
—Gerald Horne, John and Rebecca Moores Professor of History, University of Houston
Well before Rev. Dr. Martin Luther King, Jr. spoke out against nuclear weapons, African Americans were protesting the Bomb. Historians have generally ignored African Americans when studying the anti-nuclear movement, yet they were some of the first citizens to protest Truman's decision to drop atomic bombs in Hiroshima and Nagasaki in 1945. Now for the first time, African Americans Against the Bomb tells the compelling story of those black activists who fought for nuclear disarmament by connecting the nuclear issue with the fight for racial equality.
Intondi shows that from early on, blacks in America saw the use of atomic bombs as a racial issue, asking why such enormous resources were being spent building nuclear arms instead of being used to improve impoverished communities. Black activists' fears that race played a role in the decision to deploy atomic bombs only increased when the U.S. threatened to use nuclear weapons in Korea in the 1950s and Vietnam a decade later. For black leftists in Popular Front groups, the nuclear issue was connected to colonialism: the U.S. obtained uranium from the Belgian controlled Congo and the French tested their nuclear weapons in the Sahara. By expanding traditional research in the history of the nuclear disarmament movement to look at black liberals, clergy, artists, musicians, and civil rights leaders, Intondi reveals the links between the black freedom movement in America and issues of global peace.
Diary of a Contraband: The Civil War Passage of a Black Sailor »
"[Diary of a Contraband provides] modern readers with vivid insight into the life and thought of a man who overcame the degradations of slavery, actively sought his own freedom and fought to make it permanent, and in the end forged a new life as a full citizen . . . .An unusual work, [it is] one of only three wartime diaries kept by black sailors."
—Library Journal
The heart of this book is the remarkable Civil War diary of the author’s great-grandfather, William Benjamin Gould, an escaped slave who served in the United States Navy from 1862 until the end of the war. The diary vividly records Gould’s activity as part of the North Atlantic Blockading Squadron off the coast of North Carolina and Virginia; his visits to New York and Boston; the pursuit to Nova Scotia of a hijacked Confederate cruiser; and service in European waters pursuing Confederate ships constructed in Great Britain and France.
Gould’s diary is one of only three known diaries of African American sailors in the Civil War. It is distinguished not only by its details and eloquent tone (often deliberately understated and sardonic), but also by its reflections on war, on race, on race relations in the Navy, and on what African Americans might expect after the war.
The book includes introductory chapters that establish the context of the diary narrative, an annotated version of the diary, a brief account of Gould’s life in Massachusetts after the war, and William B. Gould IV’s thoughts about the legacy of his great-grandfather and his own journey of discovery in learning about this remarkable man.
Thank you. I have benefited a lot from this content.
Posted by: Robin | February 16, 2021 at 11:27 PM